Banjaara May 5, 2006
#96 Posted by bongdongs on May 9, 2006 1:07:36 pm
Salim,
A turkish collegue of mine was talking about the ``Ural Altaic`` family a few months ago, so I did some research and found there is quite a bit of controversy surrounding it. A linguist friend of mine feels its baloney, but its obviously something lot of Turks believe in.
http://en.wikipedia.org/wiki/Ural-Altaic_languages
A turkish collegue of mine was talking about the ``Ural Altaic`` family a few months ago, so I did some research and found there is quite a bit of controversy surrounding it. A linguist friend of mine feels its baloney, but its obviously something lot of Turks believe in.
http://en.wikipedia.org/wiki/Ural-Altaic_languages
#95 Posted by Salim_Chauhan on May 9, 2006 12:49:20 pm
#92, Swarrier,
Yes, Indian Bollywood music has always been popular with Turks. Also, I noted that many Turks can sing ``Jeeway, Jeeway, Jeeway Pakistan`` with great enthusiasm and fun. The Kurds, especially, enjoy Urdu because their own language is akin to Farsi and very different from Turkish - an Ural Altaic language.
Yes, Indian Bollywood music has always been popular with Turks. Also, I noted that many Turks can sing ``Jeeway, Jeeway, Jeeway Pakistan`` with great enthusiasm and fun. The Kurds, especially, enjoy Urdu because their own language is akin to Farsi and very different from Turkish - an Ural Altaic language.
#94 Posted by swarrier on May 9, 2006 12:34:29 pm
Re: # 93
Ah, you must be talking about Ashwini Nachappa and yes they made a film on her. She was a sprinter, came from the Coorg area of South India. Had a sister who was an athlete too, Pushpa. She is quite active in Bangalore with various sports works for children.
No I have not seen the film or heard the music, unfortunately. I have not seen Eeshwar either . I believe the female lead was Vijayashanti.
Ah, you must be talking about Ashwini Nachappa and yes they made a film on her. She was a sprinter, came from the Coorg area of South India. Had a sister who was an athlete too, Pushpa. She is quite active in Bangalore with various sports works for children.
No I have not seen the film or heard the music, unfortunately. I have not seen Eeshwar either . I believe the female lead was Vijayashanti.
#93 Posted by echoboom on May 9, 2006 11:57:27 am
#87 by swarrier
Thanks.
Aswani name of the movie. story about a girl who surmounts a lot of odds to become a champion, olympic, runner. Perhaps based on a true story.
Seems like this also is hindi version of original Tamil/Malyalam.
O what a breadth of fresh air!
I liked one song in Eishwar. Oh the girl opposite Anil Kapoor, a joy to behold & an exhilirating experience watch her finely choreographed dance.
South-India! you are eeman-shikan; I`ve to watch out--or maybe watch you more and put my eeman to test for more rewards.
Thanks.
Aswani name of the movie. story about a girl who surmounts a lot of odds to become a champion, olympic, runner. Perhaps based on a true story.
Seems like this also is hindi version of original Tamil/Malyalam.
O what a breadth of fresh air!
I liked one song in Eishwar. Oh the girl opposite Anil Kapoor, a joy to behold & an exhilirating experience watch her finely choreographed dance.
South-India! you are eeman-shikan; I`ve to watch out--or maybe watch you more and put my eeman to test for more rewards.
#92 Posted by swarrier on May 9, 2006 11:52:13 am
This is for our resident Turkish expert Salim Chauhan
In 1989 I heard a Turkish group who called themselves ``The Mustafa 3`` sing ``Awara Hoon`` at Club Passim in Cambridge, Massachusetts. How`s that for a meeting of continents?
In 1989 I heard a Turkish group who called themselves ``The Mustafa 3`` sing ``Awara Hoon`` at Club Passim in Cambridge, Massachusetts. How`s that for a meeting of continents?
#91 Posted by echoboom on May 9, 2006 11:41:15 am
Salim_Chauhan:90
ooper vali manzil: The failed-state Board.
ooper vali manzil: The failed-state Board.
#90 Posted by Salim_Chauhan on May 9, 2006 11:14:18 am
Echoboom #72, {``Salim_Chauhan:
Someone wants you in ooper vali manzil: 4th mala from top, one above this one.
please repatriate yourself back to Pakistan. We need you.
See you there!``}
Echo Sahib,
Please explain to this dense nacheez how I can help my beloved Pakistan? Also, I did not understand the upper story, 4th floor from top, above this one. Are you talking about ``Market Street`` on Chowk?
Thanks for your invitation to return to Pakistan, but as you can see from the response I get to my views on Chowk from many Pakistani ``brethren,`` my short life would be easily snuffed out. Perhaps it is wiser (and safer) and certainly more productive to set Pakistan`s moral compass from a distance. Your thoughts?
Someone wants you in ooper vali manzil: 4th mala from top, one above this one.
please repatriate yourself back to Pakistan. We need you.
See you there!``}
Echo Sahib,
Please explain to this dense nacheez how I can help my beloved Pakistan? Also, I did not understand the upper story, 4th floor from top, above this one. Are you talking about ``Market Street`` on Chowk?
Thanks for your invitation to return to Pakistan, but as you can see from the response I get to my views on Chowk from many Pakistani ``brethren,`` my short life would be easily snuffed out. Perhaps it is wiser (and safer) and certainly more productive to set Pakistan`s moral compass from a distance. Your thoughts?
#89 Posted by Ras on May 9, 2006 10:38:44 am
A musical Titan has passed away...
Noor Jehan gained wide fame through ``Anmol GhaRi``
so the trio of Noor Jehan, Lata & Rafi owed a great
deal to Naushad (while not forgetting the contribution of
Master Ghulam Haidar here).
Thanks Banjaara for doing justice to a legend.
PS: Which school did you go to in E.Pak?
Ras
#88 Posted by zeemax on May 9, 2006 9:33:12 am
echoboom / khamkhwa
Thanks. I knew rcvap.tripod.com but the links didn`t work earlier when I tried. They work now. Echo`s site doesn`t show up on google.
His control over voice and pitch was like a sarangi player`s over the instrument. And the rendition of lyrics, quite unbelievable for a boy his age.
Thanks. I knew rcvap.tripod.com but the links didn`t work earlier when I tried. They work now. Echo`s site doesn`t show up on google.
His control over voice and pitch was like a sarangi player`s over the instrument. And the rendition of lyrics, quite unbelievable for a boy his age.
#87 Posted by swarrier on May 9, 2006 9:19:18 am
Re: # 85
Kalapani is Illayaraja, both Hindi and Malayalam.
I did not quite place Ashwani . Is that a film? Hint?
I`ll look up Kurshid Anwar. Thanks.
Kalapani is Illayaraja, both Hindi and Malayalam.
I did not quite place Ashwani . Is that a film? Hint?
I`ll look up Kurshid Anwar. Thanks.
#86 Posted by dost_mittar on May 9, 2006 8:32:33 am
khamkhaw#80:
He (Master Madan) sounded like a female because he was a mere boy and died (piosoned) at the age of 14.
He (Master Madan) sounded like a female because he was a mere boy and died (piosoned) at the age of 14.
#85 Posted by echoboom on May 9, 2006 8:27:59 am
swarrier:
Some songs from Ashwani & Saza-i Kala-pani are superb. who is the music D? any link?
Khurshid-Anwar`s are on tap-just google.
Some songs from Ashwani & Saza-i Kala-pani are superb. who is the music D? any link?
Khurshid-Anwar`s are on tap-just google.
#84 Posted by swarrier on May 9, 2006 8:11:52 am
Re: # 83
Jang,
Everybody borrows from folk. You don`t think every music director or composer comes up with only original tunes or works do you? It`s what you do with the raw material that matters. Chopin can take mazurkas of his mother`s Poland and build on that. Dvorak takes dances from his native Bohemia and works on them. Copland took stuff from Negro minstrels. Even Delius did that. Kachaturian and Stravinsky, Rimsky-Korsakov used so many Russian folk influences.
You will see less innovation as time goes on perhaps with recorded artists. Keith Jarrett once said that recording companies buy a musician`s soul. That is what happens when most artistes get established.
Echoboom
Salil Chowdhury also composed in Malayalam and Bengali (of course). There is a lovely Yesudas song from a film called ``Madanolsavam``. The South Indian music directors especially the more recent ones took a different tack from Bollywood.
I have not heard Kurshid Anwar since my old National Echo radio broke down in the 80`s. It`s a pity that the old recordings are not released on CD`s. At least if they are , I am not aware of them.
Hridayanath Mangeshkar, Bhaskar Chandavarkar, Vanraj Bhatia . Hridayanath was sometimes too complicated .
Jang,
Everybody borrows from folk. You don`t think every music director or composer comes up with only original tunes or works do you? It`s what you do with the raw material that matters. Chopin can take mazurkas of his mother`s Poland and build on that. Dvorak takes dances from his native Bohemia and works on them. Copland took stuff from Negro minstrels. Even Delius did that. Kachaturian and Stravinsky, Rimsky-Korsakov used so many Russian folk influences.
You will see less innovation as time goes on perhaps with recorded artists. Keith Jarrett once said that recording companies buy a musician`s soul. That is what happens when most artistes get established.
Echoboom
Salil Chowdhury also composed in Malayalam and Bengali (of course). There is a lovely Yesudas song from a film called ``Madanolsavam``. The South Indian music directors especially the more recent ones took a different tack from Bollywood.
I have not heard Kurshid Anwar since my old National Echo radio broke down in the 80`s. It`s a pity that the old recordings are not released on CD`s. At least if they are , I am not aware of them.
Hridayanath Mangeshkar, Bhaskar Chandavarkar, Vanraj Bhatia . Hridayanath was sometimes too complicated .
#83 Posted by jang on May 9, 2006 7:36:42 am
salil-da was also ``accused`` of borrowing from folk-e.g. the bichua song.
#82 Posted by echoboom on May 9, 2006 7:18:04 am
Zeemax:77
Master-Madan. His two most well known Ghazals. alphabetically--here>
Hairat se..
YuN na...
http://www.dishant.com/album/popular_ghazals.html
Master-Madan. His two most well known Ghazals. alphabetically--here>
Hairat se..
YuN na...
http://www.dishant.com/album/popular_ghazals.html
#81 Posted by echoboom on May 9, 2006 6:54:40 am
swarrier:
Khurshid Anwar, Sajjad Hussein, Nisar Bazmi, Bhupinder Hazrika, Pankaj Mullick, Ravinder Jain, and of course Ilya Raja .
The south Indian & Bengali scene is more authentic than that of Follywood (Mollywood--a thousand curse on the gora-slaves)
Khurshid Anwar, Sajjad Hussein, Nisar Bazmi, Bhupinder Hazrika, Pankaj Mullick, Ravinder Jain, and of course Ilya Raja .
The south Indian & Bengali scene is more authentic than that of Follywood (Mollywood--a thousand curse on the gora-slaves)
Interact Index
Latest Interacts
- Sinha: Re: # 7 Pakistani..dimaag..amazes me..... The Jehadi Frankenstein
- Sanatani: Bhai sahab, You want Jinnah's... I Want Jinnah's Pakistan
- Sanatani: Re: # 9 Abe oye... Uneven Democracy : The
- Sanatani: Re: # 7 Whether Riaz... Uneven Democracy : The
- Sanatani: Re: # 5 Commie to... Uneven Democracy : The
- Abee: Re: # 16 Leenaah, i've quoted... Forgive n Forget
- Abee: Re: # 26 Yeah pakfin,... Forgive n Forget
- mistaken_enigma: Re: # 4 I have... Interview With Salman Ahmad








reply to this interact
write a new interact
add to favorites
flag objectionable content